Busy Weekend...Part II
The Baton Rouge Art League members are so generous in their support of the arts. I have been invited again to show one painting at their Art Exhibit and Reception at the LSU Rural Life Museum Saturday evening.
It's a great opportunity for 150 or so artists to showcase their works all in one place. I love this event because I meet new artists every year and get to chat with those that I paint with all the time.
Some background on this painting is that the inspiration piece (bottom image), "I Think I'm In Love", is a plein air piece I did out in a field in St. Amant last October in a gorgeous field of yellow flowers. It was a great day with my friends all painting together. I wanted to take that painting and create a larger piece from it. I had this 20" x 40" canvas in my studio and my mind kept going to back to it to go larger and this is the painting. The title is from a Carole King song titled "Gotta Get Through Another Day" and this verse just hit me when I was painting this piece. I love her music.
(BTW - I just sold "I Think I'm In Love" last week.)
"Corn Yellow Silk and Golden Sunlight I Remember"
Oil on Gallery Wrapped Linen
20" x 40"
First event is Thursday, April 5th. The Opening Reception for Associated Women in the Arts Annual Exhibition is at the Old State Capital in downtown Baton Rouge. This is a great exhibit as it showcases the artist's process from conception to finished piece. All original works including studies, sketches, and more hang alongside the final finished "studio" painting and all pieces can be purchased. Some of the studies as well as the finished paintings were executed en plein air (outdoors). The large painting (shown at the bottom) along with the black and white study are in this show. The concept originated with a group of AWA plein air painters in hopes that we could share more of our process with you.
Come meet all the artists. Talk to us and ask us more about our passion.
Reception is 5p.m. - 7 p.m., Old State Capital, Senate Chamber.
I'll share my other event with you tomorrow. See you then!
As part of my Portrait Painting Project in February (and on into March), I painted these fraternal twins. I loved spending a couple of hours with them playing in their backyard and taking tons of photos of them. Zoey was a little resistant on the smiling part but I somehow managed to get a little smile out of her. Zaine on the other hand was quite the ham. We share pictures of puppies, giggling, and played (well, they played) on the trampoline.
Thanks to their mom and dad, Heather and Juan, for allowing me the privilege to paint these beautiful babies - well, they're 3 years old now are they still babies? Yes, they are. I know this because my 17 and 19 year olds are still my babies.
This is the largest of the portraits I've painted thus far. It's a 12" x 12" oil on linen panel.
I started this painting - well, let me rephrase that - I started painting Daniel in early January. I have painted him three times. Make that four times. It's just that this painting, the one you see here, is one I've worked on twice so I think that makes it four times.
Anyway, the first painting I did that I told you I WAS NOT posting was the first one I painted of him. This one, well, I'm happier with.
And each time I came to the easel to paint Daniel the song that came to my head repeatedly was "Wild Montana Skies" by John Denver. A singer and a songwriter that Daniel's mother has loved as I do. And, Daniel, right now is out in Montana hiking and working and living and breathing in the crisp cold air of the mountains. And I am jealous and happy all at the same time.
I'm leaving you here with the refrain from that song:
"Oh Montana, give this child a home
Give him the love of a good family and a woman of his own
Give him a fire in his heart, give him a light in his eyes
Give him the wild wind for a brother and the wild Montana skies"
If you've been following along all during the month of January you know that I set out to paint 30 paintings in 30 days. This morphed over the month into drawing and painting almost every day. Initially when I set out to do this challenge the practical side of me said, you can't have everyday for painting, what about that husband and those two kids you've got. Oh yeah, them. So, the weekends were for family and I chose to paint for about 4 hours a day. I suppose I knew at the beginning it would be 30 days minus 8 days which brings me down to 22 actual painting (and drawing) days. And, by the way, laundry was washed, people were fed, bills were paid, and a house was painted in the middle of all of this (yes, I paint walls, too). Not too bad.
So, where did I get and what did I accomplish?
Well, I managed to get my large and a little obnoxious and funny family to go along with my plan from the get go. All these faces you've seen are of my nieces and nephews and my own two kids. And there's many more to go. AND, I know that some of my peeps are out there still waiting to see their faces pop up in my IG feed. Just stay in line and I'll get to you people!
As for the work, I created 10 drawings. I completed 7 paintings. I attempted 3 additional paintings but scraped them down or wiped them away completely. So, in total, I created 20 pieces and 3 were deemed terrible. Good riddance to those.
Next step~ well, that's the Portrait Painting Project that I've already started. I asked for volunteers to be a part of the project and I'm in the process of going out and photographing non-family - although they all sort of feel like family to me. Which is pretty great. I'll start painting their portraits begining next week. Can't wait.
So, stick around and keep following me here on the blog and through my IG @NanciTheArtist.
One more day. That's it. One more day in the 30 day challenge. Hard to believe I'm near the end of the month. I have learned alot and I haven't learned all there is to know.
This painting was a hard fought battle between me and the paint. There's a lot of paint on this one today. I started last Thursday and left town for three days to paint the inside of a house in another state. I finally got back to it today and I thought "oh no, not again" thinking it wasn't going to work and I'd have to wipe it out and start all over. Well, I perservered and am happy.
There a ton of glare on this photo and I'll upload a better one once I get it. But here it is.
And, I'm happy to say that this beautiful baby boy's painting will be heading home to his Momma and Daddy. When Momma likes it, you know it's a good day.
Oh boy I am so tired. It's been a long week and we're only at Wednesday. I made an effort to get in the studio. I worked on one of my earlier paintings and, again, it was not successful. I tried to figure it out and I think I've got it. The lighting of the subject has to be right. Also, when using photography there needs to be an understanding that photographs will flatten and skew angles and edges so it's so important to keep that in mind when using photos as reference material. I should probably be working directly from models but I am not. This is the route I'm taking right now and I'm seeing how far I can push myself.
I've worked on a total of 9 paintings since the beginning of this month. Only 6 of those do I consider successful. I've also completed 10 drawings. I'm learning a lot about what elements of painting work and which ones don't work. And then there's those moments when you stand right in front of the canvas and say "I can't remember what colors to mix today."
There are only 6 days left in the month. I am hoping that I can manage to paint with some success at least two more. That's a stretch considering I have to go and paint a house - a real house - this weekend. That takes out 3 days from my next 6.
So, for today, I am posting the drawing of this cutie pie. I asked him if he would smile for the camera and his reply was simply "no".
Today was the day of extreme distractions. I brought it on myself. There were good distractions and bad distractions and no, I can't share them with you because they are very personal.
I worked diligently to get out of my own head and just focus on the painting, once I finally got back into the studio this afternoon. (See the first photo above). But, it just didn't work. I started out okay but I knew the longer I painted that it wasn't what I wanted. So, I wiped away the painting. I just had to do it. (You can see below what it looked like when I'd had enough!) Now all that's left is a white canvas and a fresh beginning.
This is the longest period of time that I have ever spent just focused on one thing, one subject matter. I think maybe I hit a brick wall. I'm not sure. Tomorrow I go back to the routine that's been working for me, and I will work toward eliminating distractions. Wish me luck!
I didn't think I'd have time in the studio this afternoon but it happened and I am grateful once again.
I started late this afternoon and this drawing took me about 2 hours. I have tried to pay attention to what I'm doing and when my eyes get tired and the muscles in my eyes don't want to work anymore where everything starts to go fuzzy. It's when I'm drawing. It's not when I'm painting. It seems to be when I'm drawing. This just means more breaks and the drawing process will need to take longer than what I'm allowing for it.
BUT, the purpose of this challenge isn't to take as long as possible. The purpose of this challenge is to see what I can accomplish in 2 to 4 to 6 hrs of time a day with a drawing on one day and the painting on the next. Yes, I know I took two painting days on the last painting. I'm leaving some of these rules flexible to see what's working and what's not.
There's a lot to learn in painting. I've been told by several seasoned painters that we will never know everything about everything about painting. It's a life long learning process.
And so I will leave you tonight with the following quote from the Japanese artist, Hokusai Katsushika which I love.
The first time I heard this was during an interview of artist, Joseph Todorovitch, on The Savvy Painter podcast. I highly recommend the podcast.
“From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie.” ― Hokusai Katsushika
Took me two days of working on this one. I thought all was lost when I started this morning. I've had so many distractions this week with the ice/snow going on and the city being shut down and the family all stuck inside together. Until I had absolute quiet for most of today, I didn't realize what an impact on my art they had. I don't want to say it's negative having them around but it definitely affects my attention to the work and the ability to get lost in the work.
I keep thinking I want to call this painting "The Art Critic" because not only is he an amazing artist at just 14, he's pretty good at critiquing work as well - and that's a good thing. Honest critiques are important. His first comment when he saw it was "not bad". Well, thank you. I love you, too! He did point out a couple of things for me to think about. Maybe tomorrow.
Painting dogs, children, trees, clouds, roads, flowers, flowers, and more flowers all in hot southern Louisiana!